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W01 / 01Arrival

Typographic Universe, the portfolio of Yazan Nasser

Yazan Nasser

Developer & Digital Designer

Scroll to enter
W01 / 02Name

Set in Anybody Variable / Weight 100 to 900 / Width 50 to 150

Developer & Digital Designer

A name set in a variable typeface. Every letter is allowed to breathe: move the cursor across it and the weight and width follow you.

Live axeswght 300 / wdth 70

W01 / 03Letter Architecture

01 / 03

Letters as architecture.

Every glyph in this universe is constructed from stems, bars, chamfers and counters, then raised into space like a building.

02 / 03

A custom alphabet.

Sixteen letters were drawn in code for this publication, so the same forms can be extruded, morphed and rebuilt at any weight.

03 / 03

Walk between them.

Scroll to travel down the avenue of the name. Drag sideways to turn and look around.

W01 / 04Identity in Motion

Four frames / One identity

Identityin motion

Two disciplines share one name. This sequence plays them like frames of film: the developer, the designer, the place where they cross, and the motion that carries both.

Frame 01 / Developer

Developer

01const identity = {02    name: "Yazan Nasser",03    role: ["developer", "digital designer"],04    medium: "the web"05}0607render(identity)

Frame 02 / Digital Designer

Digital Designer

The design side reads type the way an architect reads a plan: ascenders, x-heights and baselines are the measurements every layout is built on.

Frame 03 / Where they cross

Developer

Designer

Two disciplines, one practice. The words slide through each other as you scroll, the way code and composition overlap in every page of this publication.

Frame 04 / In motion

Motion

Scroll faster and the letters lean and stretch with you. Stop, and they settle back into their drawn shape. Movement here is a response, never decoration.

W01 / 05First Transition

The opening universe ends at a letter.

Keep scrolling. World 02 is waiting inside the counter of the O.

Entering World 02

The TypographicDimension

W02 / 01Giant Letterforms

Giantletterforms

Seen at this size, a letter stops being text and becomes a building plan. These forms are constructed, not typed: stems, bars, chamfers and counters, drawn in code for this publication.

Choose a letter

Cap heightBaseline01 Stem02 Bowl03 Counter04 Leg05 Chamfer
W02 / 02Infinite Typography

Flow x1.0

Infinite typography

A sentence set on a surface with no last line. The text runs along the form forever; scroll faster and it accelerates, drag to turn the object in your hands.

W02 / 03Perspective Layers

Type is a space you move through.

W02 / 04Kinetic Composition

Kinetic composition

A Swiss poster that refuses to sit still. Every character is a physical object with weight, rotation and inertia. Every letter turns to face the cursor, like a compass needle.

W02 / 05Type Transformation

Typetransformation

Stage 01 / 05

From World 04 / The Project Exhibition

Selected work

Four works, each given a room of its own in the exhibition. Hover to preview a cover, choose one to enter its case study.

The universe continues

Seven worlds

You have crossed the first two. Each of the others lives on its own page, with its own palette, rhythm and way of moving. Open a spine to look inside.